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Showing posts with label Product. Show all posts
Showing posts with label Product. Show all posts

Wednesday, December 17, 2014

TM Launches New Country Imaging Product

12-14-14

The Westwood One press release says the new product, called BRAND,  features customized and infused sound-alike intros for PDs less likely to use traditional jingles or who want to find another way to own the music in their markets. Stations can add their brand directly into the music instead of around it. TM Creative Director Ryan Drean says, ?While multiple Country stations are launching in competitive markets, a jingle package may not always be the solution.  BRAND doesn?t place a station?s name around the music; it performs it in the music.? BRAND pre-launched on 99.5 WYCD in Detroit.



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Saturday, September 21, 2013

Liquid Compass Offers White Label Product

9-17-13

Streaming company Liquid Compass announced Monday the launch of its white label, reseller, and affiliate offering for customers. The suite of products allows broadcasters, service providers such as CDN?s, sales houses, and agencies around the globe to enhance their product offerings and develop new revenue channels, while eliminating the time and capital requirements of rolling out such offerings on their own. Founder Zac Lewis said, "We're excited to make available our tools, services, and expertise to broadcasters and organizations who we expect to reinvent the online music space.?



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Monday, August 27, 2012

Are You Proud of Your Digital Product?

8-26-2012

(by Ed Ryan) Saga's Warren Lada has stirred up a hornet's nest with his recent comments about ad-insertion and Saga's decision to completely abandon the technology. Those that operate in the digital space believe Lada is leading radio back to the dark ages, the radio industry just doesn't see where audio is headed and the industry is too cheap to seriously invest (money or people) in their streaming product. Some in radio return fire by saying the cost to stream and insert ads isn't worth a lot of their time and certainly not worth dumping tons of money for what it returns. They are just being smart. One thing became clear this weekend, after listening to music stations across the country, if Program Director's actually listened to what went out over their streams, you would think they would be horrified.

We randomly picked music stations that were streaming online and focused on their stopsets. We listened for all the issues that Lada told us concerned him. How were the audio levels compared to the music? What was being played during the breaks? How was the segue back to the over-the-air signal? Is the product comparable to what goes out over the air? The easy answer is the products are not even close. Nearly 100% of the time, whenever a stopset concluded, and a station came back to its on-air signal, it clipped the end of the over-the-air promo or commercial. Very few stopsets were loaded with local commercials. And, national PSA's are making a big comeback online.

We listened via iHeartRadio, TuneIn, individual station apps and through pop-up players on station websites.
Here are just a few examples;
- At NextMedia's Country station WRNS-FM in New Bern, North Carolina (via TuneIn) a stopset started with two PSA's, played an Auto Zone spot, three more PSA's and came back to its on-air signal by cutting over a spot.
- At Entercom's KBLX in San Francisco (using the radio station app) the station played a stopset with two PSA's, a spot for www.birthdayexpress.com, a spot for redenvelope.com and two spots for 800 number products which sounded like PI's. None of the commercials sounded local and while the re-entry clipped a spot it was short.
- At Clear Channel's WSIX-FM in Nashville (via iHeartRadio) we heard an ad for NashvilleHelpWanted.com, an iHeartRadio Promo for the app, an iHeartRadio Festival Promotion, a promo for the Roots of Country Channel on iHeartradio, a Wine Festival (local commercial?) www.wineontheriver.com, an iHeartradio artist spotlight for Kenny Chesney, an iHeartradio artist spotlight for Jake Owen, a promo and a clean re-entry back to music.
- At Greater Media's Magic 106.7 in Boston (soft rock format), a stopset included a homeless cats PSA, a promo for workday music, a 9-11 Memorial PSA and a jazz song to fill the rest of the stopset which was cut off hard to get back to the on-air signal.
- At Cumulus' I93 in Dallas (via the station player on a PC) the stream sounded as if someone was sitting in the radio station studio flipping a switch turning the broadcast on and off, on and off through every song being played.
- One station stream was in the middle of a stopset which cut right into a song that cut right into a second song which then cut into an artist clip before cutting that off and going back to the on-air signal. It was so bad, we decided not to identify the station here.

Of course, this is not a scientific study, we didn't listen to hundreds of stations, so take our limited research for what its worth. It was random and we tried to spread the listening out by company, format and technology. It did leave us wondering if managers would allow these mistakes to consistently occur via their transmitter. The answer is obvious. Not a chance. Is it OK for this to happen online because listening numbers are so low? Is it because the online stream isn't really a priority? Is it because it doesn't sell? Is it because there isn't enough staff to take care of these issues?

If you know of examples of radio stations executing a perfect stream, with local or nationally sold ads commercials filling the stopsets, please list them here in our comments section or send to edryantheeditor@gmail.com

(8/27/2012 6:37:59 AM)
Ed, you hit on the big problem with broadcasters streaming their audio - it's the CX - or Consumer Experience. While others will argue the economics or the commitment to digital, the reality is that most streams sound just like the way you heard them in your mini-research study. Most programmers don't monitor their streams, nor are they incentivized to even think about them. You heard the result.

We tackled this point following the Saga decision, and you can read our "take" on this at

http://jacobsmediablog.com/2012/08/21/take-that-mcgruff/


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Sunday, January 8, 2012

SOCIAL - Facebookers WILL Rally Around Your Product

SOCIAL - Facebook Users WILL Rally Around Your Product

Mike Stiles

Every once in awhile, the breaks fall your way.  And when it comes to what makes people on Facebook connect with one another and become ?friends,? radio gets a break.  Turns out music is one of the things that actually influences people to come together if they share the same taste in it, at least to some degree.

Three brains out of Harvard conducted a 4-year study to find out why people friend each other, especially if they are in fact not friends and have never even seen, met, or interacted with each other.  When I was college, such behavior was called ?highly dangerous,? but it?s a different world now.

But yes, music, along with movies, is a key indicator of whether two people are likely to be Facebook friends.  This means if Maddie likes Korn, and so does Cheryl, Maddie and Cheryl might become friends because they don?t really come across that many other 14-year-old girls who are as into Korn as they are.  Interestingly, books wield no such power.  Sharing the same taste in books did not appear to lead to any higher likelihood that two Facebook users would be friends or connected.  This tells me the passion level for books is not nearly as high as it is for music and movies, and users don?t use books to define and express themselves the same way they do with music.

Now, what if Cheryl didn?t like Korn when she friended Maddie?  Is she likely to start liking them because Cheryl does?  No.  The research shows that people are not as easily influenced as we might believe.  So keep that in mind if you?re trying to win people over to your tastes in music by alerting them to everything you listen to on Spotify.  However?(there?s always a however)?this does not hold true if the Facebook friends like classical or jazz.  Go figure, Harvard didn?t even attempt to offer an explanation as to why jazz lovers are more influential.

So there you are, a content producer whose product is?music.  You may have been knocking your lights out trying to get your listeners to come together on your social streams around the tent pole of a mutual love for your radio station.  The smarter play might be to bring listeners together around the music (both the music and information about the artists) and take credit for being the instrument that made the introductions. 

Mike Stiles is a writer/producer with the social marketing tech platform, Vitrue, and head of Sketchworks comedy theatre. Check out his monologue blog, The Stiles Files.

Find him on Facebook or on Twitter @mikestiles

Links

Facebook: www.facebook.com

Harvard: www.harvard.edu

Korn: www.korn.com

Spotify: www.spotify.com

Vitrue: www.vitrue.com

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Saturday, January 7, 2012

TuneIn Unveils New Voice Command Product

1-6-2012

It's called "Car Mode"  and TuneIn says this new product will make music listening via stream in the vehicle easier and safer with the release of TuneIn 5.3 for Android. With Car Mode, TuneIn listeners now have the ability to listen to music, sports and news simply by speaking a command into their phone or tablet. This feature is coupled with extra large buttons for easy viewing and control.

From the TuneIn release: "Here?s how it works. You?re in your car on a cloudy day and feel like brightening it up with some beach music. Using TuneIn, you turn on ?Car Mode? from the main menu and tap the search button, saying, ?Listen to Hawaiian music.? TuneIn instantly whisks you away to sunny Maui with the sounds of Polynesia filling your car. You can also search by artist, album or song name. Let?s say you?re in the car and feel like listening to Adele. All you need to do is tap the search button and say ?Play Adele.? TuneIn takes over from here, connecting you to the most popular station of a long list of every station in the world currently playing Adele. Now you?re listening to ?Rolling In The Deep? from the top-selling artist?s album, ?21.? If Adele is not currently on the air, TuneIn will automatically play a station that frequently plays her music.

Android owners can start enjoying Car Mode today. Just download the newest version of the TuneIn software and start listening to the world in a whole new way.

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Saturday, November 19, 2011

30 Morris Stations Will Rollout Triton Product.

Triton Digital announced that Morris Communications has selected its Flex CMS platform. Morris? Radio Division will rollout Flex across all of its nearly thirty radio station properties. Morris Communications is privately held and based in Augusta, GA. Morris operates 33 radio stations in Alaska, California, Washington, Texas, Kansas, and the Principality of Monaco.

Corporate Director of Operations for Morris Radio Jay White said, ?Triton?s Flex solution is extremely easy to use. The unique drag-and-drop user interface allows our staff to easily update sites without the need for extensive training. Flex truly lives up to its name. We like the ability to implement site takeovers across our entire portfolio for big events and advertising campaigns. The rollout has been flawless and Triton has been absolutely terrific to work with.?

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Wednesday, August 3, 2011

Tom Beck Appointed BE Director of Sales & Product Management

Beck will take on a new role at BE as the company's Director, Sales & RF Product Management.  Beck will be responsible for sales of BE's studio and RF product lines. Beck spent 13 years as Manager of Sales Operations and Development/Government Sales Manager for the broadcast equipment manufacturer.

After a brief absence Tom rejoined BE in early 2011, and has served as the company's Senior RF product Manager. In his new role Beck will manage the daily sales activities of the company's AudioVAULT and The Radio Experience (TRE) studio brands as well as BE's AM, FM and HD Radio transmitter lines.

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Monday, July 11, 2011

A New Way For GM's To Focus On Their Product

by Danny C Fletcher

As the world turns today managers are faced with major cutbacks, of course the first to go is the promotions budget (which is contrary to what we have our sales people recommending to the clients?)  Then the consultant budget, the person who has an outside perspective, has the been there done that advice, the experts who zero in and drill down on what you the manager and owner can?t see. Two important areas, if you?re asking sales folks to go sell it. I?m just saying. Of course we smaller market broadcasters have never had the luxury of either, so here?s how we all focus on our product. 

In order to get a real time opinion and feel from your targeted core listener you must go where they frequent and casually survey potential listeners anonymously. What you?re hoping to get is a feel for what your station?s EPIM is (Equity Position in Market Place) relative to your competition. When listeners have a ?want? for your format, do they think of you first? Do it causally, anonymously and no family or friends comments count. Seek and scout out venues where your core profile listener frequents and interact with them by asking questions. If you want to control a conversation. Ask open ended questions and listen!

In your casual interviews ask: When you do decide to turn on the radio what station do you go to first? Ask that way because the majority of the answers will be I don?t listen to radio that often; although we know better. Ask, what has them listening to that particular station? When do you listen most? Where do you listen (home, car, internet?) As far as News, Talk and Sports Stations same thing only different questions. Ask: Where do the get their news, traffic reports and weather during a crisis or weather event? Where do they turn for timely accurate information?

LAW?. Do not knee jerk at every negative comment. You have to be thick skinned!!

Ok so you do something like this already. Is it with laser like FOCUS?  See what happens when you ask my way, with questions causally. You aggressively go for input and get quality and quantity surveys. It?s about communication so seek out the specific demographic and social graphic listeners for your format then there is a good chance they listen to you or a competitor. Remember we are only information gathers, we study the responses and we question ourselves and our staff for any other verification of ?real issues? that need to be addressed.  

You can also send a survey out via any number of free or inexpensive platforms such as Survey Monkey to your data base. Ask your listeners and clients how your doing and how you can improve. If the same ugly negative comment keeps coming around from your super core demo, you should take a look at the issue ASAP. Some of the best broadcasters I know have forgotten that radio is all about the product you're delivering to your local market and that's all that matter.

Danny Fletcher is President of  Fletcher Media Performance Group Inc. and JDTV He can be reached email: Danny@dcfletcher.com or 985 991 6161

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