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Showing posts with label Spots. Show all posts
Showing posts with label Spots. Show all posts

Friday, January 2, 2015

Cincinnati Stations Air Free Spots For "The Interview"

12-30-14

On Christmas Day, five stations in Cincinnati (WRRM-FM, WGRR-FM, WOFX-FM, WNNF-FM, and WFTK-FM) started running no-charge commercials for Sony's movie ?The Interview.? Cumulus Cincinnati Market Manager Dave Crowl said, ?We support the decision of Sony to release the movie and as a tribute to the generations of Americans and their families who have fought to preserve our rights, we thought this is the least we could do.? Cumulus employees also wrote and voiced an editorial in support of the movie?s release.

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Wednesday, October 1, 2014

The Challenge Of Selling Spots & Digital In A Digital World

9-17-2014

By Jeff Schmidt

Imagine if Erica Farber stood in front of the radio station owners at this year?s Radio Show and asked for their help and support to eliminate ratings fraud. Imagine if the Wall Street Journal published a report saying that somewhere between 36 and 50 percent of diaries or PPMs are frauds ? not actually humans listening, but machines manipulating the system. If any of that happened, all hell would break loose. Thankfully, the radio industry is better than that.

That is not going to happen.
This is. The Wall Street Journal, March 23, 2014, headline: ?A ?Crisis? in Online Ads: One-Third of Traffic Is Bogus.? Subtitle: ?As Digital Advertising Climbs Toward $50 Billion This Year, Marketers Battle Fraudulent Visitors.? The article goes on to say that billions of dollars are flowing into online advertising, even as marketers are confronting an uncomfortable reality: rampant fraud. According to the WSJ, the market for online ads is expected to cross $50 billion this year. The clear implication ? which isn?t stated explicitly, but also never refuted ? is that online advertisers are being collectively defrauded of $18 billion.

Interactive Advertising Bureau Chairman and Ziff Davis CEO Vivek Shah called on the industry to recognize the problem and clean up its act. ?The industry will never realize its potential if it doesn?t take the matter seriously and fix it now,? Shah said.

Shah cast the net of blame widely, implicating not just unscrupulous actors but also publishers and agencies. ?We?ve got to stop devaluing digital media,? he told a room full of online publishers, agency executives, and ad tech vendors at the IAB Annual Leadership Meeting. ?It?s simple: No more traffic fraud. Let?s end it.?

According to Shah, a full 36 percent of all Web traffic is nonhuman traffic. Other ad execs suggest the figure is closer to 50 percent. ?There?s nothing more damaging to our industry than fraudulent traffic,? Shah said.

Meanwhile, radio and TV stations are jumping into the digital space with both feet. Who can blame them? There is a ton of money being spent there. Do stations know what they are doing? Do sellers know what they?re selling? Or are we simply trading dollars and hurting radio by adopting digital strategies? As we embrace this platform, these are some of the questions that must be answered.

Today, the amount of money being spent on digital advertising is growing at a head-spinning pace. In 2012, it topped $102 billion worldwide. An article in Forbes magazine says this about the future of ad spending: ?Digital now commands nearly one in five ad dollars, the market researcher notes. What?s more, it?s continuing to grow at a rapid clip, forecast to stay at double-digit increases through at least 2015. This year, eMarketer reckons online ad sales will rise 15.1%, to $118.4 billion. And by 2016, digital ad spending will pass a quarter of all ad dollars.?

Compare that to the money spent on TV advertising in 2012, at $63.8 billion, and radio, at $17.6 billion, and you can understand why broadcast companies are trying to figure out digital.

In preparing to write this story, I had the pleasure of interviewing some of the best radio directors of sales in the country. Their answers were insightful and helpful, and show what successful radio people are thinking about digital these days.

Amy Leimbach is the director of sales for Alpha Media in Portland, OR.
What are the challenges of selling spots and digital in a digital world?
Leimbach:
Advertisers these days are confused by those choices. We sell advertising for our business and we are supposed to understand what our competition is doing every day. Imagine what it?s like for an advertiser trying to run a business and their core competency is to be running, for example, an HVAC dealership. Their number one task of the day is to try and figure out how to get their salespeople to sell more air conditioning units right now. A lot of times advertising and marketing falls down the list. So it?s easy for them to be taken advantage of, I think. They don?t understand it, but then all they hear is, ?Oh, you gotta be in digital, you gotta be in digital,? so they tend to be confused and they buy in to the bright shiny object out there.

How important is brand strategy in the digital space?
Leimbach:
This is the biggest problem with digital: You have to have a brand before you get there. So people think they can just use digital, but once the consumer gets online, how are they supposed to decipher the right brand to go to? So you still need to have radio to build recall. Because once you?re online, you have to go, ?Oh, yeah, that?s right, I heard of Dick Hannah dealerships on the air, so I?m going to click through to that one when I?m going to make my purchase for my Kia. I?m not going to go to this one because I?ve never heard of it before.?

Spending on digital advertising is not showing any signs of letting up. Where is that money coming from?
Leimbach:
I feel like all those newspaper dollars, where we were fighting to get a piece of the market for so many years ? I mean, the poor newspaper industry, whatever, I don?t feel that sorry for them because they got their share for a long time ? but that money literally leapfrogged over us and went straight over to digital.

What do sales reps need to know about digital?
Leimbach:
I think that reps need to remember that using digital is just using one of your tools in the toolbox, and it?s helping you execute a wellthought- out campaign. It starts out on-air, and the online is one of the execution pieces of it. They need to remember that it starts on-air; it starts with a traditional brand. I think people sometimes think of the tactics first and they should think of the strategy first. To me, that?s the most important thing: Think strategically about what you?re going to do to try to accomplish your clients? goals, and then put the tactics behind it. Don?t go in with the tactics first.

How do you teach sellers the fundamentals of advertising and radio, brand marketing strategy creation, and then digital?
Leimbach:
You have to lead by example. I think that sales managers need to be out on the streets with their salespeople. I think that?s the best way for them to learn. Most sales managers were probably really talented salespeople, so if they go on more calls, they can hand-hold and walk through the process with their sellers so that the sellers feel comfortable with it. If you?re leading by example, then they end up learning it.

What?s your greatest frustration with digital?
Leimbach:
The clients seem to be so dazzled by something that they can?t even put their finger on it. [Laughs] I?ll have car dealers who, without a bat of the eye, will drop 20 grand on some shiny new object with digital. We ask them to spend 20 grand with us and it?s like extracting teeth from them sometimes.

What?s working best so far in terms of generating digital revenue for you in Portland?
Leimbach:
Adding streaming to our buys is adding the most new revenue. Then, really, the good old NTR programs that we?ve done for decades. Instead of using entry boxes and printing up little flyers, we just use digital to execute all these ideas now. We have lots of success tied to NTR dollars. I feel really good about those dollars being tied to digital because that?s how we are making the programs live.

Cory Cuddeback is the director of sales for Beasley Broadcast Group in Las Vegas.
What are the challenges of selling spots and digital in a digital world?
Cuddeback:
Well, with selling digital, my sales reps aren?t real comfortable selling it, because they don?t really understand it. Obviously, what we want to do is use our existing relationships to sell our clients digital, and the sales reps are intimidated because they are afraid if they sell a digital package to an existing client, and there are any challenges with execution or results, they could damage their existing relationship and it could possibly cause them to lose a good spot-buying customer.

Are you asking them to sell digital as a standalone product or digital tied only to a traditional media schedule, such as with radio?
Cuddeback:
Both. There are a lot of clients that don?t do radio and we are trying to get in the door using our digital assets in hopes of also selling them radio time. With existing spot buyers, we are trying to incorporate different digital assets into their buy. So the plan moving forward is to start as many conversations as we can, and if we need to use digital as a wedge to get in the door, that?s what we are doing. What we are finding out is a lot of clients just want to do digital, but we are also finding clients that, once we can start establishing a relationship by talking about digital, we can start having a conversation about radio as well.

Here?s the deal: I can build a beautiful website for a client. If that client doesn?t tell people, via radio, TV, electronic media, about their beautiful website, it doesn?t really do any good. You can sell just digital, but there is no better advertising than word-of-mouth, and digital can?t create top-of-mind awareness or get a good buzz or create word-of-mouth about a business. The only way to do that is with, in my opinion, electronic media. I can?t create a jingle in the digital world and have someone remember a business through audio, through a jingle.

Where is this new digital money coming from?
Cuddeback:
It is coming from everywhere. It is coming from radio. It is coming from newspaper. It is coming from TV. That?s all people talk about now, it seems like. There is a car dealer in Vegas that moved from TV and radio and now spends 100 percent of his budget on digital. When you see things happen like that, you have to pay attention and get into that space.

How do you prevent your sellers from trading dollars?
Cuddeback:
That?s a really good question, because trading dollars from radio airtime into digital costs me money because of the hard costs of the digital products that we are selling. Although I am saving my airtime and able to sell my airtime to another client, it?s kind of a Catch-22. If I?m dealing with a radio station that has a lot of demand and typically in a sold-out situation, and that seller is trading dollars for digital, I am OK with it, because it frees airtime for me to sell to somebody else. In most cases, I don?t have a problem if they are moving off-air into digital.

You talk about salespeople being intimidated and salespeople not understanding. How do you fix that?
Cuddeback:
Well, right now, the way I am trying to fix it is to hire someone as a full-time digital director for my cluster that can show the other sellers that it is OK, they can sell this, and nothing is going to go completely and horribly wrong. The answer is really to have some of my sellers gravitate more to selling digital products and to hire someone who has been doing it for a number of years that can hold their hand and help them through the process.

What do salespeople need to do differently?
Cuddeback:
I want every salesperson that I have to be a solution provider and to be able to sell everything I have. That would be the ultimate goal, to really be a consultant and to be able to walk into a business and talk to the owner and have all of these solutions for them. That would be my ideal world, but I am not sure I want reps to be able to go into a business and say, ?Here?s radio and here is how it works. What?s going to happen when I run your radio schedule is people are going to go online and do their research. So, why don?t we help you with your website? Why don?t we help you with your search engine optimization, and do everything all at once?? In fact, we have a client now that is waiting to do radio with me until his website is right and until he has everything digitally where he needs to be, because he understands that he doesn?t want to spend a bunch of money in radio before his digital presence is correct. That?s kind of where I want my sellers to be.

Why do some people think radio doesn?t work anymore?
Cuddeback:
In today?s world, when I run a radio commercial, when it relates to getting business for that customer, guess who gets the credit? The Internet. I run a commercial, and you know how it goes. They hear 10 to 20 percent of what the message says. So they go on Google. They do the research. They find the business. They call the business. The business asks ?How did you hear about us?? and the person says, ?On the Internet.? That?s the big challenge. That, I think, is really damaging our business.

But aren?t we feeding that monster?
Cuddeback:
Yes. Because the businesses that want to find out where their customers are coming from, over the past few years, the Internet is their number one source for getting their clients. They forget that they have spent the last 10 years advertising their brand on radio. They forget that people have heard their commercial and are influenced by that commercial, enough so to go find them, search for them on the Internet, and then the Internet gets the business. In most business owners? minds, all this business is coming from the Internet ? when the fact is, it started way before the Internet.

As a manager, how do you keep track of all of that, and how do you manage your people and their level of knowledge?
Cuddeback:
It drives me absolutely crazy. You know, 20 years ago, we sold radio. That is all we sold. Now the salespeople are spinning 20 plates at one time and it is hard to focus on any one thing. There has been such a push to sell digital because of what is happening around us ? a lot of focus has left the pure radio play. That is really, really scaring me, because our eye is off our main source of revenue, which is radio. Managing the time that sellers
spend learning and selling digital versus pounding the pavement selling radio, is really scary. My boss, in fact, just the other day, asked me what percentage of our time I thought we should focus on digital. If you look at the big picture and say, ?Well, look at how much more money is being spent digitally, now surpassing radio,? you would think that a lot of your time would be spent selling digital. But then you?re putting your core business of radio in the back seat. And that really has me nervous.

Traci Northrop is director of sales for the Milwaukee Radio Group (Saga Communications) in Milwaukee.
What are the challenges of selling spots and digital in a digital world?
Northrop:
Well I think digital provides two opportunities. One is often forgotten, and that is that it?s an extension of our brand. It?s a way for us to reach our listeners on a level of ?Hey we?ve got this weekend special going on,? or ?Hey, join us at this event where we are going to register you to win a Harley-Davidson.? That?s the one we often forget about because everyone is just looking at this as a revenue stream. I don?t think we?ve figured out, as an industry, how to capitalize on it, or that we completely understand it, but we just know we should. So we are all just jumping on the bandwagon right now.

How does digital fit in a well-executed marketing campaign?
Northrop:
You have to be consistent, and it has to be an extension of something that brings it all back home. Like, ?I heard about the fact that I can win this prize, this Harley- Davidson, and now I received a text showing where I can now register to win it, and then I look at the website and I can see the whole list of events of where I can go.? We use it really well, and that?s how we have to teach our clients to use it, the same way we do. Fully integrated. Not as a standalone, but as part an overall campaign.

How do you monetize it in Milwaukee?
Northrop:
First of all, we won?t sell social media for the sake of pure advertising. Like, ?You should buy a car at this particular dealership.? But if we are going to be at that dealership and it?s a station event, then we can use our social media to help bring that traffic around and use it as one of the tools to increase our success at that event. For example, we won?t sell an ad on our Facebook page saying, ?You should call these people to cater your summer picnic.? We won?t do that. We will post on Facebook that we are going to be at this particular car dealership and you can meet this personality. So it?s definitely interwoven in everything. But it?s not a standalone. Otherwise it?s kind of like a sellout.

Do broadcast companies have an advantage with digital platforms?
Northrop:
There was a report out from Twitter that something like 8 percent of their online usage, or 23 million users, are actually bots! So how do you know what you?re getting? If you?re looking for numbers, they can generate massive numbers, but are they real? I would rather sell something I can believe in. That?s a combination of radio with the right amount of digital added on, when it makes sense. People are oftentimes asking for it and they don?t know what they are asking, or it?s just that shiny new thing.

That?s why we have to value our likes and our people more, because we?re not creating fake profiles to boost the numbers. These are actually people that said, ?I love WKLH.? These aren?t bots, they are people ? real people ? real traffic. Everyone that is engaged with us on social media is a real person. That?s why we have to value it more too.

What sort of training do reps need, and how do you provide it?
Northrop:
Well Saga has an interactive digital sales support team. We receive help from a platform basis where they will send out ideas and contests. We get good support with questions on how to understand things. We have people come to the market that show us better ideas, better ways of doing things. Then our digital guy, our website guy, is actually in our building. That?s another Saga great thing; not a lot of people can walk across the hall and talk to their Web dude. Which is what we call him: our Web dude.

Are radio and TV stations making money on digital?
Northrop:
I think we?d like to think so, but we don?t take the time to stop and actually figure out how to best charge for this and then get all of us on the same page. Some of us aren?t charging for it and just handing it out, number one. Number two, some people are acting like they are charging for it but they are not actually getting more money, they?re just reclassifying it in the budget line. So we are bamboozling ourselves.

So in some cases, when it?s a condition of being on the buy, if one group relents and says, ?OK, yeah, we?ll do that,? it kind of puts the rest of the groups in a bad position. Here we are trying to value what we have and what we?ve built, literally built from one user on. We?ve built our own Facebook page and we?ve put great content on there and we engage our listeners. And you?re going to give it away for free?

So we?ve got to unite and say, ?You know it?s not worth nothing, but it?s not worth top of the rate card. Somewhere in the middle, we have to meet.?

Are there dangers to selling digital?
Northrop:
If you lose sight of the fact that radio is your main product and this is just another great way to help reach your audience to generate traffic for your client, and to make your client memorable. Then you?re losing sight of everything. Then you can just go work for a dotcom company. If you?re in radio, you have to sell radio with digital. The message is clear. Stick to the core, but digital is something that can definitely help radio be more effective for ourselves and for our clients.

What digital products are working best for you in Milwaukee?
Northrop:
Saga does a really good job of maintaining our text clubs and giving people rewards for being members and engaging the customers. We have a process. If someone wants to get out a text, it?s not an ?OK.? We go through the program director and say, ?Does this make sense to you and can we encapsulate it in the amount of characters?? Texting works reallywell, Facebook works really well. Those are the two things I?ve found get the best results when used correctly.

Is digital here to stay?
Northrop:
It?s amazing, it?s like everyone is in a panic to participate. It?s like when all the radio stations went out to buy a PT Cruiser as a station vehicle, they were all the rage. You couldn?t even get them, they were in such demand. Now I don?t see anyone excited about PT Cruisers. Digital is like the PT Cruiser, except that it?s not going to go away. But it?s part of a five-course meal. We?re just adding courses and more ability to reach and engage people to get results for advertisers and to provide content for our listeners from our brands. The more we can engage, the more loyal they will be to us.

The consensus appears to be that digital offerings of broadcast companies are first and foremost an extension of your own brands. It allows them to connect more deeply and more frequently with their audience. As a result of that connection, they allow advertisers to utilize the digital presence of the station for their own marketing strategies. Stations, in turn, have a new source of revenue beyond traditional advertising.

My first foray into selling digital, back in 2006, was clearly a case of trading dollars. I felt I needed to leverage digital with radio because nobody believed in digital at the time. I know I didn?t. Today it?s hard not to believe in digital advertising?s ability to extend an already strong campaign. We have to resist, however, making digital more than what it is. It?s a tool.

Jeff Schmidt is EVP and partner with Chris Lytle at Sparque Inc.
You can reach him at Jeff.Schmidt@Sparque.biz,
Twitter: @JeffreyASchmidt

Send me your comments directly or post them below this story.

(9/26/2014 1:03:43 PM)
Digital pricing reflects the demand and the CPM is adjusted accordingly. Certainly there is fraud, but if the results aren't there the CPM will drop...simple supply and demand.

However, we directly attribute some of our client's traffic to bots - it's the same noise we all have. A TV spot on the bar monitor...a print ad in the back of the newsstand that is returned...or an unlit billboard at night.

Great article...exciting times...

(9/26/2014 9:53:10 AM)
Best piece I've read on the topic in a while! Thank you curating these perspectives and helping me focus my own.
(9/26/2014 8:40:38 AM)
Excellent and very insightful. Always go back to the base, radio and then "add the fries" to encompass both.

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Monday, March 10, 2014

Selling Sports: More Than Spots & Dots

3-5-14
Sports and Sports Talk radio have grown every year for the past 10 years, with no sign of slowing down. AMs are flipping, FMs are converting, and the effect of PPM on all formats across the dial have created new and compelling programming opportunities for sports on radio and on radio's digital platforms. But selling Sports radio is not all about presenting the numbers and selling spots -- in fact, it's not about selling numbers at all. There are countless ways to sell sports successfully, and sales and partnership opportunities that go far beyond what's heard over the air.

And you can hear about it all atRadio Ink's Sports Radio Conference, coming up next week in San Diego. Beasley/Miami's Joe Bell will lead a lively conversation on innovative ways to sell sports successfully -- what's already working, and new opportunities ahead. We guarantee you'll leave this session with at least three new ideas you can put to work right away!

Moderator:
Joe Bell is Miami market manager for Beasley Broadcast Group, and a 40-year radio veteran who has been involved in all phases of the industry. A native of Dayton, OH, Bell began his career as a disc jockey and eventually moved into sales, management, and ownership. He joined Beasley Broadcast Group in Ft. Myers in 1998 and moved to Miami in 2000. He now oversees Rhythmic CHR, Power 96, 99-9 Kiss Country, and Sports Radio 560 WQAM. As GM of WQAM, Bell has been involved in rights deals with the University of Miami, Miami Dolphins, Florida Marlins, and Florida Panthers. He has also worked with a number of high profile personalities including former Miami Dolphins Joe Rose and Channing Crowder, Dan Sieo, Jorge Sedano, and Adam Kuperstein. Before joining Beasley, Bell was EVP for Curtis Media Group in Raleight, where he managed WPTF-AM, the 50,000-watt flagship of the North Carolina State Wolfpack.

Lauren McHale is VP/director of sales for Katz Sports Marketing, overseeing new-business development initiatives for selling sports media and marketing sponsorships for various major sports leagues, including Major League Baseball, National Football League, National Basketball Association, National Hockey League, and NCAA Division ! football and basketball. McHale began her career at Katz Sports in 1998, as a sports coordinator and in 1999 became an AE for Katz Sports Dimensions. She was named manager for Clear Channel Katz Advantage in 2004, and in 2005 became VP/Eastern region for Katz Sports Marketing. She was promoted to her current post in 2009.

Bob Moore, president of Sports USA, is a seasoned business and media executive with extensive experience in senior management of radio and television in the Los Angeles marketplace.  Moore served as GM of CBS Radio/Los Angeles for 28 years, overseeing the seven-station cluster. He was the creator of FM Talk in Los Angeles, developing the Talk format on KLSX-FM in 1885. He's also credited with bringing Howard Stern to the L.A. market. Moore has also served as president/GM of ABC/Cumulus' KABC and KLOS in L.A. He also has extensive experience in play-by-play sports, having worked on radio rights for the New York Giants, Los Angeles Raiders, Los Angeles Clippers, New Jersey Nets, the L.A. Kings, Anaheim Ducks, L.A. Dodgers, and USC football. He was also involved in sales and marketing for all these franchises. He's helped launch more than 20 Talk radio personalities and earlier in his career was EVP/radio for Westwood One.

Rob Pickard, senior account executive at BCA Radio/Radio San Diego, began selling Sports Talk radio in 1993 at the legendary XTRA Sports 690 in Southern California. Based in San Diego, the 77,000-watt signal became the sports voice for many SoCal sports fans and allowed Pickard to develop business throughout San Diego, Orange County, Riverside, and Los Angeles. Pickard worked with  the occasional advertising agency, but focused mostly on direct, new business, bringing first-time radio advertisers to the format.

Join us for the Radio Ink Sports Conference in San Diego next week.
Register HERE



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Wednesday, July 31, 2013

COPYWRITING)They're Not Just Spots.

7-29-2013

Morris Hite, the legendary ad man, has been quoted as saying: ?Advertising is salesmanship mass produced. No one would bother to use advertising if he could talk to all his prospects face-to-face. But he can't.?

As radio advertisers, we often forget this truism in an effort to be clever, funny, or outrageous. Those qualities can be effective ways to get a listener?s attention, but what we want our commercials to do is convince the listener to make the call, visit the website, go to the place of business, request the brochure, attend the free seminar, or ask for the free consultation.

Then it?s up to the advertiser and his staff to close the sale when the prospect responds to the commercial.

One way to create an effective radio commercial is to listen to and learn from the most effective salespeople your client has. It may be the owner, sales manager, or top salesperson. These are the people who are on the frontlines and spend most of their time in front of their customers every day.

Ask them to sell you their products or services, watch them as they sell to their customers, record their pitches on the telephone, or speeches to rooms full of prospects, eavesdrop and take notes. Get a copy of the telemarketing scripts they use, read their training materials. Make sure you monitor only the very top salespeople. Often they will use stories, examples, analogies, comparisons, and case histories as part of the sales process. Listen to how they overcome objections.

Guess what? If you?ve taken good notes, your campaign is just about written. Although it?s mass salesmanship, a radio commercial is still speaking to one person at a time. You could break the sales process down into steps and do a series of commercials, based on the phases of a salesperson?s pitch.

Good salespeople do all the things a good radio commercial does. They get their audiences? attention and they make their solution relevant to the problems, discomfort, pain, or challenges their audience is experiencing. They answer the prospect?s question, ?What?s in it for me??  They tell stories, give examples, overcome objections and get the prospect to envision how this will enhance their life. In some cases they may do a take-away.

As you know, it?s rare to close a sale on the first call. That?s where radio shines. Each spot the listener hears is a like a sales call. If you create a sequence of interesting radio ?sales calls? then the audience gets to hear the first one, and the next, and the next several times each. Let the client?s salespeople help you write the campaign and let radio?s built-in repetition work for you to close sales.

Jeffrey continues to discover ways to help you help your clients make money at Hedquist Productions, Inc. Phone 641-472-6708. E-mail jeffrey@hedquist.com. For your free subscription to our idea-packed newsletter visit http://www.hedquist.com.

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Monday, April 8, 2013

(TALENT) Spots – Clutter On The Rubble

4-8-2013

Pro sales guy, regular blogger, and good friend of Radio Ink, Sean Luce, recently made some compelling arguments for having radio generate superior creative. This would be a noble and worthwhile effort, he contends, to produce advertising with better recall for the ad and the advertiser. My dad had a line that covered this circumstance: ?Nice dodge ? if you can pull it off!?

The (factual) story Sean used to demonstrate the point was of an advertiser?s somewhat bland billboard that was naughtily defaced and, as a result, drew more attention and awareness than spending multiples on straight advertising ever could. By accident, the ad did indeed ?rise above the clutter.? The advertiser enjoyed (?) a couple weeks of higher visibility in the market. There was no mention of any increases in the advertiser?s business.

While Sean?s point is well taken, there is still that niggly problem left over. That issue being: In today?s contemporary radio, almost every one of the spots written and produced locally will not be rising above any clutter. They will not be rising to near the top of the clutter. They will continue to be the clutter.

Practically, asking radio to start offering listenable and effective messages is like asking precocious, undisciplined kids splashing in the shallow end of the pool to swim Olympic times in the deep end. It ain?t gonna happen.

To continue the analogy: If radio is determined to swim with the big kids in the can?t-touch-the-bottom section, we will have to 1.) Learn to stay alive in water over our heads, 2.) Learn to swim, and 3.) Learn to do water tricks.

At no time has anyone ever come up with evidence that radio does not produce some of the worst examples of advertising ever to grace a professional, commercial, mass medium. When it comes to providing sophisticated, effective, advertising messages, music radio is still a stifled, third-rate jukebox.

As to generating conscious recall from an audience for the ad, the advertiser, and the content: It ain?t gonna happen. Accomplishing recall isn?t even a worthy goal. It is not necessary. The entertainment value and emotions that might be produced certainly do add to the listenable qualities and efficacy of the spots. Recall, however, is not a factor. ?And, why is that?? some skeptical broadcasters might inquire.

Before continuing, I do acknowledge the exception. This is the occasion when an advertiser?s message reaches the lowest of the low-hanging fruit. These are consumers/customers who are already in the market for the advertiser?s product or service; who hear a spot about a great deal from an advertiser, and have hundred dollar bills hanging out of their jeans. Only a slight nudge is required to take advantage of that advertiser?s offer. Even that is not about recall. It?s about triggering immediately available behaviors.

Meanwhile, any spot that has entertainment value or is producing a powerful emotional response in an audience does have extraordinary advantages over the (usually innocuous) content-heavy commercials. It perpetrates extended listening ? as opposed to immediate tune-outs. And it starts or reinforces the feelings necessary to drive a visit or a sale. But, expecting this particularly entertaining spot to increase [I]conscious recall[/I] is about roaring down a blind alley with an expectation that a hole is going to open up ? just in the nick o? time. Just as well then, that recall is not required because, again, it ain?t gonna happen.

Now, for another ?woo-woo? example: Since we are discussing a ?linguistic technology,? it is valid to mention Arthur C. Clarke?s famous comment: ?Any sufficiently advanced technology is indistinguishable from magic.? Properly executed radio commercials are generating and influencing desired behaviors ? without the necessity for, or assumed benefit of, conscious recall!

Plus, and this is absolutely a critical distinction, radio does have an advantage. Because radio is an electronic medium, the signal is accessed by an audience and processed (primarily) at a subdominant ? a right brain ? level. Any messages delivered through an electronic medium become speeding freight trains careening directly to that portion of the brain responsible for emotions, creativity, and pattern completion. Critical, information-processing capacities are snoozing over yonder in the left brain ? the dominant hemisphere ? and getting bypassed. Hence, the lower priority of content material in radio commercials.

As savvy marketers and their agencies have known for generations: ?Buying? is an activity influenced by emotions. These emotions are often already tainted by individuals? experience and influenced by cultural elements ? including advertising. Evidence can be provided that demonstrate how most of our emotions and the decisions generated through their influence take place at an unconscious level ? outside of our awareness. (This, I appreciate, is unwelcome information to those who insist their decisions are made only on the facts, the numbers.) It ain?t gonna happen. Not with humans, anyway.

Still, Sean?s admonition to get above the pile is not without merit. It?s just that my part of the radio team (programming and commercial production) is not even close to being well enough equipped to start launching four-baggers out of the yard on anything resembling a consistent basis. For us, a bloop single is cause for high-fives all around and towel snapping in the showers after we?ve been soundly thrashed 95-5 ? a reference to our share of ad revenues.

Further, ?digital? is nobody?s ?game saver? either. Our responsibility is to improve our product. Processing our standard-issue crap through a different strainer will still not produce a better pate. It will be the same crap on a different plate.

Meanwhile, Sean?s profession of training sales folk to up their individual games is an essential element of the radio business. The same can?t be said for the communicative aspects of what we do ? a legitimate reason for despair. After all, if we can?t/won?t provide the training to drastically improve our product, including commercial production and programming, Sean?s better-trained colleagues will still be going to the street with a leaking, or worse, an empty sample-sack of radio clutter.

Ronald T. Robinson has been involved in Canadian Radio since the '60s as a performer, writer and coach and has trained and certified as a personal counsellor. Ron makes the assertion that the most important communicative aspects of broadcasting, as they relate to Talent and Creative, have yet to be addressed. Check out his website www.voicetalentguy.com

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Wednesday, March 20, 2013

Arbitron Says Radio Spots Are Being Heard

3-19-2013

Arbitron released its March RADAR Network Ratings and says nearly 180 million people 12 and over heard at least one network commercial per week during the survey period. That's 68 percent of the 12 plus population. Arbitron says in the 25-54 demo, 71.7 percent were reached and in the 18-49 demo 70.9 percent of the population heard at least one commercial. 46 networks are part of Arbitron's RADAR survey and nearly 396,000 people were sampled from January to December in 2012.

(3/19/2013 11:47:39 AM)
Yawn.

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Thursday, February 28, 2013

(TALENT) Spots – What A Load

2-25-2013

Radio commercials are, practically, the only elements that allow for every station to have an income. That is why the creation of these ads gets a greater amount of energy, time, and budget than any other aspect of the business. (Pause.) I excuse myself here to go outside for a few minutes. Every year at this time, massive flocks of squealing piggies are overhead, winging their way to their Canadian summer nesting areas.

Now, I would be cruelly patronizing to this readership were I to suggest that everybody should now be convinced that pigs really do fly. Of course they do not. The reality is much more astounding and disturbing. They levitate. That?s right. All known natural laws of physics are suspended for this one phenomenon.

Our radio reality is about as absurd and destructive. Here we have a whole industry that is offering only bacon-like substances to our advertisers. We begin with cans of something that is a lot like Spam ? imported from offshore, of course. Next we open the cans and mix in copious amounts of sawdust and imported mixtures of fish oils. Then we transfer that into 10 smaller cans and re-label them ?Radio?s Advertising Solutions.? Indeed, we step on and cut our product (spots) so thinly, we would embarrass the seediest of drug dealers.

I would be less than candid if I did not confess to being flabbergasted at the discussions about spots that have been, and are continuously, being held when radio folk gather to lie to each other. Nevertheless, where possible, I will confine my comments to the use of professional, technical terms.

While the media world around us has made enormous leaps in various technologies, methodologies, and philosophies, radio continues to spit out the same spots that were written in 1964 ? the only difference being in the placement of the decimal on the price points. The professional, technical term for this practice is ?Stupid.? I can?t be kinder about this. While the rest of the civilized world has figured out indoor plumbing, we continue to fill our buckets and throw the contents out our windows and into the street. Then we wonder why passersby keep yelling at us.

Yes, I know. The installation of actual flushing toilets can be an expensive proposition, the cost of which can easily be justified as not being consistent with a satisfactory R.O.I. Still, the methodologies and techniques for making radio spots far more listenable and effective are available. (Operators are standing by.)

That our spots are, for the most part, irritating or altogether unlistenable hardly ever comes up for long or serious discussion. After all, most locally produced commercials are no more than authoritarian demands to buy something and to make that purchase right freakin? now! So charming and influential they are, too.

Meanwhile, there is an ongoing argument about the value of :30s and :60s. All the 60-second spots do that :30s do not is provide the time to make a longer laundry list and more vacuous claims of superiority on the part of the advertiser. I am convinced that, given a chance to think about it and respond to our spots, many listeners would offer some equivalency of ?Please consider my shorts as a source of fine dining.? We (radio and the advertisers) do not require a :60. We are not newspaper-of-the-air. All the damage that needs to be done, we can do in a :30.

Besides, radio is a lousy medium to transfer pure content, especially if there is any expectation of audience retention. We do it anyway because we are compelled to do so ? sometimes by advertisers but mostly by our own traditions. Most of us still believe that is what we are supposed to do. Here, however, is where we can shine and excel. What we have always done is not how we can be the most effective. Ours is a medium that, primarily, strikes directly into the emotional capacities of our listeners. This is where we can punch above our weight. Until we learn and accept that fact we are just goofing off. That a medium as pervasive and accessible as ours garners only five percent of available revenue might suggest we are not doing a number of things correctly.

I suppose there might be some expectations that a comment or two on the fusterclucks ? the ghettoizing of back-to-back-to-back spots around which both advertisers and audiences plan their days ? would be forthcoming. I have telegraphed too much already. Suffice to say, though, that any clinical psychologist who listens to the (above) set of universal, everyday radio strategies from a radio manager might immediately start thinking, ?Cha-ching! I now have a client for life! This guy is my kid?s college education!? If the pshrink has any nerve at all, she might also ask, ?Are there many more like you??

Lucky for us that radio is still such a pervasive medium and that even ratty spots sometime have at least a modest impact. All of this, by the way, is in spite of our best efforts to supply the very least we can in advertiser services.

The facts of radio include that the creative budget is competing with the toilet roll/bucket budget. There is little point, therefore, in wondering why, nor should there be any surprise when potential advertisers walk by our studios, and the first thing they remind each other is to ?Duck!?

Ronald T. Robinson has been involved in Canadian Radio since the '60s as a performer, writer and coach and has trained and certified as a personal counsellor. Ron makes the assertion that the most important communicative aspects of broadcasting, as they relate to Talent and Creative, have yet to be addressed. Check out his website www.voicetalentguy.com

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Friday, March 2, 2012

Robbins and Howard Swap Spots at WDBO

3-1-2012

The Mel Robbins show will swap places with Clark Howard at the Cox owned Orlando station. Robbins will be moving to the 1 ? 3 p.m. slot Monday through Friday while the Clark Howard Show is moved to 10 p.m. ? 1 a.m. Robbins? program will originate from rural Massachusetts and her little farm outside of Boston. She will have frequent appearances in Orlando and will be in town next Monday ? Wednesday to launch her new timeslot.

Robbins spent 5 years as a public defender in Manhattan and currently has her own TV show on A&E, ?Monster in Law.? Besides the daily radio show and filming for TV, she also travels around the country on speaking engagements for Fortune 500 companies. Robbins has appeared with Dr. Phil discussing her life coaching skills and is a regular on Anderson Cooper?s daytime program, ABC?s ?Good Morning America,? a bestselling author, and more.



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Saturday, February 11, 2012

(SOCIAL) 13 Ways to Use Imagery to Sell Radio Spots

by Mike Stiles

Much of the social content advice you?ll get as a radio station will be about attracting listeners or servicing existing listeners with new and engaging features that will deepen their relationships with your brand.  That?s all well and good.  In fact, it?s better than well and good?it?s critical.

However, even if you can effectively convince management such interactions will have positive subsequent effects on listening and ratings, the wheels in their heads will probably be furiously spinning around an entirely separate question: ?How is this going to help us sell more radio spots??

Apart from the conventional wisdom that higher PPM will help sell more radio spots, there are actually social elements that can be targeted to advertisers and potential advertisers.  And in a social media world where visual elements such as photos and videos consistently lead to more likely engagement, this ad-buyer-targeted content should be based around imagery that?s easily and rapidly consumed.  They?re busy just like you.


So below I present 13 ways to use imagery to attract station advertisers via social.


1. Help them see it.  Photoshop their logo into station event and promotion pictures.

    Sometimes you have to put the fantasy into their minds.  Show them how ?big time?

    they could be.
2. Charts, graphs, data, coverage area, etc. are images.  Yes, the info is numbers-based,

    but if you can break it down into a visual representation, it will be seen and

    understood.  Tell your success story this way.  And if you can use infographics, which

    people LOVE, then all the better.

3. Photos and brief info in the caption of all the people at your station they?d be working

    with as advertisers.  That includes jocks, managers, AE?s, even the Traffic Manager.

4. Pictures of any client appreciation parties/events/concerts.  Show them there are fun

    benefits to being associated with you, and use this to make them want to play.  If

    you?re not doing anything to make clients feel special, that?s a whole separate blog.

5. Pictures of the artists you play.  It?s sexy and it gives them a quick feel for the format.

    Far too many stations assume potential advertisers know the station and are avid

    listeners.  Assume the opposite.

6. Logos of other clients who advertise with you.  It?s a de-facto recommendation from

    those clients and hopefully will generate a little competitive envy.

7. Pictures of the station, especially if your station looks really cool.  We?re over it, but

    civilians still tend to be wowed by our lights and switches and microphones.

8. Photos of real listeners with one or two line testimonials in the captions.  Show them

    the faces of the people who love you.

9. Station photo albums.  These give a great comprehensive feel for your station?s history

    and identity.  And you should be compiling them already in anticipation of your

    Facebook Timeline anyway.

10. Pictures of prizes you?ve given away.  Show them you can create hype around them.

11. Cool photos illustrating any specific sponsor-worthy features such as news, traffic,

      entertainment report, etc.  Showcase what feature they could ?own.?

12. Pictures of the various ways listeners interact with your station.  Show advertisers that

      people are listening to you in the car, on their iPhone, on their Kindle Fire, streaming

      on their desktop or laptop at work, etc.  Illustrate your power and reach.

13. Do a mockup of a station Pinterest board or Facebook photo album where the

      advertiser?s products will be visually featured once they?ve partnered with you.


That?s not even getting into professionally produced videos of your sales presentation, this is all inexpensive still imagery.  I?m a big believer face-to-face personal relationships are still what wins in local ad sales.  But for practical considerations, using social and powerful images to lay out the bait and make those introductions can be a very efficient step 1.


Mike Stiles is a brand content specialist with the social marketing tech platform, Vitrue. Check out his monologue blog, The Stiles Files & follow him @mikestiles

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