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Showing posts with label Advertisers. Show all posts
Showing posts with label Advertisers. Show all posts

Tuesday, May 19, 2015

Advertisers Need Effective Ad Strategies!

5-14-15

Ninety-seven percent of radio sellers don't have a degree in marketing or advertising. With the proliferation of new ways to advertise, local advertisers are inundated with sellers and shiny new toys. That's why it's critical for a broadcast professional to be an expert on marketing and advertising. In our next webinar (Tuesday at 11 a.m. Eastern) called "Developing Effective Local Advertising Strategies That Produce Powerful Results for Your Clients," Jeff Schmidt shows you how to have the greatest impact with time-starved clients. REGISTER HERE

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Tuesday, September 2, 2014

Hear From One Of Radio's Best Advertisers

8-30-14

The RAB and NAB announced Thursday that representatives from Allstate and Leo Burnett will participate in a Q&A at the Radio Show Advertiser Luncheon, September 10. As many in radio know, Allstate is one of radio's best clients, so this will be a great opportunity to hear from an advertiser that believes using radio is a must in order to achieve success with consumers. RAB President and CEO Erica Farber will moderate a discussion with Allstate Senior Manager Amanda Polito (pictured) and Christopher Warmanen, who is the executive creative director at Leo Burnett, Allstate?s creative agency partner.



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Monday, August 4, 2014

(WIZARD) The Advertiser's Dilemma

7-30-2014

Much has been written in recent months about our desperate need for better radio ads. I shall say only a little about this subject, for there is little left to be said.

In his ?Creative Fundamentals That Get Results? of May 25, Katz Media Group?s Bob McCurdy wrote, ?Meticulous planning and strategy will not overcome weak creative, and, for too long, the effort to plan and ?place? the radio commercial has overshadowed the effort to ?create? the commercial.?

I agree with Bob?s observation completely. Radio people who are drawn toward the science of advertising often leave the art behind. Our reverence for numbers and measurements and statistics has caused us to act like every customer?s decisionmaking process is the same.

Bob went on share 14 ?Creative Fundamentals.? I agree completely with 12 of the 14, but agree only partially with two of them:
2. Mention the advertiser?s name throughout.
6. ?Reveal? ads, which put off mentioning the advertiser?s name until 30-40 seconds into the commercial, do not perform well.

Bob, if you will allow me to add the words ?during the early months of a radio campaign? to each of those fundamentals, I can agree with those two as well.

The reader may have noticed that I said, ?early months,? as though a radio campaign should continue for years. This is because I do believe that a radio campaign should continue for years. Many of the clients for whom I write ads have been with me for nearly a quarter century, and considerably more than half my clients have been with me for longer than a decade. And each client I serve is on a chosen group of radio stations 52 weeks a year.

You can see, I?m sure, why I don?t have to ?mention the advertiser?s name throughout.? When a local listener hears my client?s voice ? a distinctive voice heard on no other ads in the marketplace ? that listener knows immediately who is speaking. We don?t have to say the name of the company; the listener is saying it in his or her mind. For my client to mention the name of the company throughout the ad would only make us sound like everyone else:

?At Roy H. Williams Marketing, we believe in the Roy H. Williams Way. This is because Roy H. Williams has been writing successful radio ads for 35 years and the clients of Roy H. Williams appreciate the success that Roy delivers daily to their doors. Would you like to pay your ad writer according to the growth he brings your company? Call Roy H. Williams Marketing today and get started on radio the Roy H. Williams Way.?

?Ad-speak? is an irritating language. I do not advise that you learn it.

Bob also mentions that ?reveal? ads, which put off mentioning the advertiser?s name until late in the commercial, don?t perform well.

Although I?ve never met Bob McCurdy, the wisdom of his other 12 ?Creative Fundamentals? leads me to believe that he would agree that a ?reveal? ad can be spell-binding when the listener 1) instantly recognizes the advertiser?s voice and 2) knows that this voice always shares fascinating insights and perspectives.

Bob would agree, I?m sure, because Bob McCurdy is old enough to remember Paul Harvey.

Bob McCurdy?s 14 fundamentals are absolutely correct in the short term, but as a radio campaign evolves, the rules that guide it evolve, too.

?Physicists like to think that all you have to do is say, ?These are the conditions. Now what happens next???
? Richard Feynman, winner of the 1965 Nobel Prize in Physics

Like physicists, ad writers like to believe that all we have to do is ask, ?What does the customer want?? and an answer will be forthcoming. But in truth, what the customer wants is in a constant state of flux.

Have you ever gone shopping, only to come home with something entirely different from what you had planned to buy? Of course you have. We all have.

Decision is a destination, a tangible place of certainty, but the multiple paths that will take us there can be faint and foggy and damp. We are confronted by choices unanticipated. We find new information, unexpected options, possibilities we did not foresee. Simply stated, our buying motives can evolve from a tiger to a mouse to a llama to a rhino to a little pink pony in the space of a single hour.

Advanced Ad Writing begins with two realizations:
1. Most radio creative is focused on short-term business goals instead of long-term business growth. This is probably due to radio salespeople?s being focused on short-term sales goals, as opposed to recruiting long-term clients.

2. The listener is a moving target, and radio?s creative must move with the listener?s changing needs and expectations if we are not to fall out of step.

If you believe change is in the air, hang on tight.

The best is yet to come.

Roy H. Williams is president of Wizard of Ads Inc. E-mail: roy@wizardofads.com.

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Monday, July 7, 2014

Advertisers Going Where Consumers Are

7-2-14

It's no secret. We all know it, we all do it. The question is how is your mobile plan to deliver ads to your listeners coming along? Consumers are spending more time with their tablets and smartphones than ever before. According to eMarketer?s latest estimates, U.S. adults will spend an average of 2 hours 51 minutes per day on a mobile device in 2014. Last year that number was 30 minutes per day less. At the same time, time spent with desktops and laptops is declining. TV still dominates adults? media time with 4 hours 28 minutes per day this year, according to eMarketer.



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Monday, May 26, 2014

(WIZARD) The Advertiser's Dilemma

3-23-2014

Retailers are asking, ?Why do people buy from my competitors without even giving us a chance?? And I reply, ?They gave you a chance. They just didn?t physically come to your store.?

Customers carry instant access to all the knowledge of the world in their pockets. They no longer have to visit stores or even call them on the phone to compare prices and research their options.

Why would a customer drive to a store to get expert guidance when better, faster, more objective guidance is instantly available online?

You can argue, if you like, that the information your advertiser provides is far superior to the information available online. And you might even be right. But customers are looking for information immediately. They?re looking for information right this second. They gave your client a chance when they went online. That website just didn?t volunteer what they wanted.

If your client?s answer to your listener?s query had been available online, Google would likely have directed them to it.

?Advertising is a tax you pay for not being remarkable.?

There are three keys to being remarkable:

1: Correctly anticipate the customer?s desire.
Is your client doing this? Are they customer-sensitive, or are they struggling to sell what they?re convinced people ought to buy ?if we could only make them understand?? If you have a client who says, ?You need to help me educate the public,? tell your client that radio can drive the customer to their website, but ?education? is best done online. I tried to educate the public until I finally realized that it was never going to work. Save yourself and your client the heartbreak. Get on board with what your customer wants.

2: Satisfy the customer?s desire. Hold nothing back.
Win big. When a client says they are ?competitive,? that means their offer is virtually indistinguishable from the offers made by their competitors. Is your client in the game to compete, or to win? It?s amazing how much better radio works when your client actually has something to say.

3: Package your offer magnetically.
A magnetic offer is impossible to ignore, even when your listener isn?t currently in the market for that product or service. A magnetic offer is sticky, repeatable, remarkable. It?s an offer that no one else has the courage to make. A magnetic offer is where word-of-mouth begins.

These are simple things, but as my friend Jeffrey Eisenberg says, ?Simple isn?t always easy.?

Particularly ?not easy? is this challenge of magnetic packaging.

Magnetic packaging begins with strategy. ?What would the customer be delighted to hear?? Answer this question resoundingly, and you have the beginnings of a radio campaign whose results are easy to measure.

Ad strategy is more difficult to teach than ad copy.

Strategy is determining what a customer would like to hear.

Copy is deciding how best to say it.

Impact in advertising is 80 percent strategy, 20 percent copy. This makes it nearly impossible for good copy to compensate for weak strategy.

We create failure when we pretend that creativity can overcome the fact that our advertiser has nothing to say.

Morris Hite said it sharply enough to pop a balloon: ?If an ad campaign is built around a weak idea ? or, as is so often the case, no idea at all ? I don?t give a damn how good the execution is, it?s going to fail. If you have a good selling idea, your secretary can write your ad for you.?

The most annoying creatures on earth are those smug little weasels who preach that the secret of successful advertising is to isolate the media that reaches the right customer. In effect, these weasels are selling a treasure map. ?The reason you haven?t found the treasure,? they say, ?is because you?ve been digging in all the wrong places.?

But the treasure isn?t buried at all. It?s in the pockets and purses of everyone you see. And if your client offers these people something they?d rather have than their treasure, they?ll hand your client that treasure with a smile and say, ?Thank you.? And then they?ll tell all their friends that they should give your client some treasure, too.

Want to know a secret? The media that delivers the message is the least important part of the advertising equation. When the message is right, any media will work. When the message is wrong, no media will.

During the decade when I lived in hotel rooms and taught advertising in 50 cities a year, my least favorite moment was when an advertiser would follow me into the bathroom during a break and casually lean over to say, ?Mr. Williams, I?m in the [INSERT CATEGORY HERE] business. How do you suggest I advertise? Is it TV? Is it radio? Is it the Internet??

This happened to me a lot more often than you might think.

How would you have answered?

Roy H. Williams is president of Wizard of Ads Inc. E-mail: roy@wizardofads.com.

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Tuesday, March 4, 2014

What Advertisers Want From Sports Radio

2-26-14

Like good neighbors, State Farm and Sports radio work together to instill awareness and build loyalty for their brands. And you can get the inside scoop on enhancing and growing Sports radio's role in partnership with one of the industry's top advertising spenders at the Sports Radio Conference, as Southern California Broadcasters Association President Thom Callahan sits down with Mandy Garner, assistant field marketing manager at State Farm Marketing/Western Market Area.
Mandy Garner is responsible for marketing strategy development, tactical execution, budget management, and oversight of State Farm's brand position throughout all marketing campaigns -- including sponsorships, digital, social media and direct mail -- in its Western Market Area (that covers California, Washington, Oregon, Alaska, Hawaii, Montana, and Idaho). Her team also provides consulting for the executive and leadership teams, and she manages agencies in mass media and digital buying, sponsorships and events, and building the State Farm brand multiculturally.

Thom Callahan is an industry vet who, before joining SCBA, was president of Callahan Communications, a firm focused on growing its clients? business, strategic planning for brand awareness, and new-market development. Previously, he was director of sales for Radiate Media, based in Los Angeles. With more than 30 years of broadcast and digital platform experience in sales, sales management, research, content, new product development, and emerging markets, Callahan has held senior management positions with the Associated Press, CBS Radio, Metro Networks, and Anheuser-Busch.

Callahan and Garner are sure to find plenty to talk about -- there's a huge role for sports and Sports radio in State Farm's present and future. At the Sports Radio Conference -- coming up March 10-11 in San Diego -- you?ll get a rare chance to hear about the inner workings of a long and successful partnership between Sports radio and a top advertiser. Don?t miss it -- register now!



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Wednesday, January 8, 2014

Pandora Scores Big Advertisers For New Auto Platform

1-7-14

Pandora is rolling out an in-car advertising platform this month with BP, Ford Motor Company, State Farm, and Taco Bell. The company says advertisers will have the opportunity to reach car-bound audiences with audio spots that will run across the 130 vehicle models that include a native Pandora integration in addition to the more than 270 aftermarket automotive devices that feature the personalized radio service. The company will introduce listeners to the in-car advertising experience by delivering fewer audio ads than on any other Pandora platform.

Pandora, which today reported more than 76.2 million active monthly listeners and more than 1.58 billion listening hours across all platforms in December 2013, is currently available on nine out of the 10 best-selling passenger vehicles. More than 4 million unique users have activated Pandora through a native integration across the 23 major auto brands and eight aftermarket manufacturers on the company?s partner roster, representing an increase of 244 percent from the same time last year.

Pandora Chief Marketing Officer Simon Fleming-Wood said, ?Nearly half of all radio listening takes place in the car. We knew early on that to redefine radio, we would need to seamlessly deliver Pandora through in-dash entertainment systems. With an 8.6 percent share of total U.S. radio listening and unmatched growth and adoption of Pandora in the car, we are now seizing the opportunity to connect advertisers with a more targeted audience than traditional radio can provide.?

Ford Motor Company Digital Marketing Manager Erica Bigley said, ?As an innovation leader, we knew early on that a vibrant app ecosystem was essential to the success of our technology platform and with the vehicle as the traditional home of radio, we were the first to bring the personalized Pandora experience to customers via SYNC?AppLink?. This next partnership phase lets us effectively reach highly engaged customers where they are most likely to enjoy radio and is incredibly exciting for our business.?

State Farm Advertising Director Ed Gold said, ?State Farm was a Pandora early-adopter. People are passionate about their music and their cars. With so much music being consumed in the car, Pandora automotive platforms allow listeners to customize that experience and we are excited to be able to connect with consumers in that environment.?

Taco Bell Chief Marketing Officer Chris Brandt said, ?Taco Bell fans are passionate about music, and we want to continue to share moments of music exploration and discovery with them. We?ve already been able to reach fans by Pandora via their mobile devices, and now the latest in-car platform will allow us to reach them in their car during mealtime moments when our message is most relevant.?

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Saturday, December 14, 2013

Are You Creating Buzz for Advertisers?

12-13-13

One-time radio exec Tom Calderone (pictured), now President of VH1, shared his challenges in the world of TV, many of which are similar to radio's own challenges. One observation he has is that advertisers like to jump on the band wagon of the next big thing, including Pandora. For radio to combat that, they need to make sure they are in the buzz. "Advertisers often say to us, 'you guys are really trending.' Sometimes, it seems the buzz is more impressive than ratings ... For us, our goal is to have the ratings and the buzz."

Calderone also stressed the value of focus groups, conducting them as often as every 4 -5 months, as well the importance of having the right team. "I look for team members who will challenge me, who don't think like me." He also sees the new millennial work force as a challenge in itself which companies will have to learn to adapt to. "They think differently. You're lucky if they stay more than 4 or 5 years. For them, it is often about a lifestyle choice rather than a career choice," and he noted, millennials look for a "Vibe" at company. VH1 creates that vibe by allowing and encouraging risk taking and experimentation of its products. "You have to serve up some innovative buckets, for your audience and your people."



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Wednesday, November 27, 2013

Which Advertisers Love Radio the Most?

11-21-13

Digging deep into the RAB report we find the advertisers that understand the power of radio and use it to bring in customers. The following top ten listing of radio advertisers is lead by Comcast Xfinity Cable Services which increased spending by 7% over last year. Seven out of the top ten advertisers increased their budgets on radio this year.

1. Comcast Xfinity Cable Service +7%
2. AT&T +56%
3. T-Mobile +62%
4. McDonald?s -7%
5. GEICO +11%
6. Verizon -10%
7. Safeway +10%
8. Ford Dealer Association +14%
9. Toyota Dealer Association -11%
10. Walmart +6%



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Sunday, November 24, 2013

Advertisers Love Concerts and Music

11-21-13

GM's and Market Managers understand how massive an undertaking organizing a concert or festival is, not to mention the potential liability. However the financial rewards can be big through sponsorships, ticket location giveaways and other creative advertising opportunities that your team creates. A new report confirms its worth all of your time and extra effort. According to Nielsen's Music 360 report, Brands love using music as a way to connect with their customers and they love concerts and festivals. Here are the numbers...

Seventy-six percent of festival attendees report feeling more favorable toward brands that sponsor a tour or concert, and 51 percent of all consumers feel this way. In addition, according to Nielsen, approximately 74 percent of music streamers feel more favorable toward brands that engage them through music giveaways, sweepstakes and sponsorships, compared with 58 percent of non-streamers.

See the Nielsen details HERE

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Thursday, November 14, 2013

Which Advertisers Love You The Most?

11-12-13

According to the new BIA/Kelsey report, the five biggest local advertising categories for radio are: retail (18.0 percent of total radio industry revenue), financial/Insurance (17.0 percent), restaurants (14.5 percent), automotive (14.0 percent) and technology (10.0 percent). BIA/Kelsey says local radio generates over 10 percent of its advertising from these five different groups of advertisers. And, the report says local radio receives 14.3 percent of all advertising spent by finance and insurance companies and 12.1 percent of all advertising spending by restaurants.

?Local Radio Stations Profiles and Trends for 2014 and Beyond? is presented as a 65-plus-page report and a companion presentation.
The report includes the following analysis and information:
? Revenue history of local radio stations
? Overall industry growth
? Competitive threats to local radio stations
? Revenue share by format
? Radio's position in the new media marketplace
? Radio advertisers and competition for advertisers
? Radio's share with advertiser and business categories
? Technology changes in radio Industry
? Consolidation in the industry
? Digital sales transformation playbook

The report is available for purchase ($1,095 for the report and companion presentation, or $2,500 for the report, presentation and one-hour custom analyst briefing).
For more information on how to purchase the report go HERE or email sales@biakelsey.com.



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Tuesday, November 12, 2013

What Advertisers Want From Radio

11-7-13

Radio needs, and deserves, a larger piece of the advertising pie -- everybody understands that. But where will that new money come from? Does radio need to reposition itself in the advertising marketplace? How can it compete effectively in a multi-platform world? At Radio Ink's Forecast, set for November 20 in New York, Greater Media chief Peter Smyth gets up close and personal in a frank and sure to be fascinating discussion with Fran Kelly -- vice chairman of Arnold Worldwide and  one of the country's leading ad agency executives.
Smyth said, ""I look forward to having an important and candid conversation with Arnold Worldwide Vice Chairman Fran Kelly as we discuss how the radio industry can best work together with advertising agencies to develop successful branding and marketing partnership opportunities for clients in the future." Among the topics on the table: what works,  what doesn't, and what it will take in 2014 to earn business and those crucial marketing partnership opportunities.

Kelly said, "As a 35-year veteran of the advertising industry, I look forward to discussing the role radio plays in our business building campaigns today, where we see radio spending going in the next few years, and some thought starters on where radio might go to play an even more important role for marketers in the future."

Participants

Peter H. Smyth is Chairman and CEO of Greater Media Inc., overseeing the operations of 21 AM and FM radio stations in Boston, Charlotte, Detroit, Philadelphia, and New Jersey; a group of weekly newspapers in central New Jersey; and several telecommunications towers throughout the United States. Smyth began his career in broadcasting in 1977, as an AE with WROR-FM in Boston. He was quickly promoted to GSM, and in 1983 RKO General, the parent company of WROR, recruited him to serve as GSM of its New York stations. Smyth joined Greater Media in 1986 and has served in a variety of capacities within the company, including GM of WMJX-FM in Boston, vice president of the Radio Group, and COO of Greater Media Inc. Smyth has helped revolutionize the broadcasting industry by advocating for and adopting new technologies such as HD Radio and Internet streaming, and by developing and incorporating innovative content to improve media communications and meet the emerging demands of the industry and its advertisers.

Fran Kelly is vice chairman of Arnold Worldwide and a 35-year veteran in the field of branding, advertising, and integrated marketing communications. He began his career in marketing on Madison Avenue in 1978 at Young & Rubicam. In 1983, he joined Humphrey Browning MacDougall and in 1989, joined Leonard Monahan in Providence, RI. Over five years, he helped the agency attract and win over a dozen high-profile new accounts while also winning numerous prestigious regional and national creative awards. In January of 1994, Kelly joined Arnold as chief marketing officer, and helped develop the famous ?Drivers wanted? campaign for VW. Kelly became president of Arnold in 2002, was named CEO in early 2006, and became vice chairman in 2010.

Click here for the complete Forecast 2014 agenda.
Forecast early-bird registration ends TOMORROW.
Register now and save $100!



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Wednesday, August 21, 2013

Radio's Top Ten Advertisers in Q2

8-19-13

According to the Radio Advertising Bureau, the cell-phone war has been very good for radio.  The Communications/Cellular category increased Spot spending by over ? versus Q2 ?12. AT&T came in as radio's number one advertiser in Q2, increasing its spend over 2012 by 61%. T-Mobile was third up 67%, Verizon was fifth up 16% and Sprint was radio's 8th biggest spender in the quarter up 153%. Here is the list of radio's top ten advertisers in Q2, compared to what they spent in Q2 of 2012.

1) AT&T - up 61%
2) Comcast XFinity - up 8%
3) T-Mobile - up 67%
4) McDonald's - down 8%
5) Verizon Wireless - up 16%
6) PepsiCo - down 12%
7) Safeway - down 4%
8) Sprint - up 153%
9) Walmart - up 40%
10) GEICO - up 16%



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Saturday, August 3, 2013

(SALES) Answering Advertiser's FAQ's

7-31-2013
I occasionally receive station presentations in my inbox, and most of them clearly tell me why stations aren?t selling more.

Of course, their first error is sending me the presentations in the first place. The sender has obviously not refined their e-marketing data base, nor custom tailored the cover message to be relevant to me?I?m not a prospect. The senders merely send the same "package" to everyone in sight hoping something will stick... in the 70s we called that the ?spray and pray? method of selling. (It didn?t work then either!) 

I received one such email this week for a station selling local play-by-play broadcasts for a nationally-franchised sports team in Spanish. The name has been withheld to protect the guilty.

The cover note suggested three "marketing packages" were attached, but I could find no such marketing package, only three packages of radio spot schedules at three investment levels, $500 a month, $1,200 a month, and $3,000 a month.

The three packages said nothing about "marketing" or what was in it for me to sponsor these packages or broadcasts.

Before I reveal how these presentations should be written, here is a little secret about pricing: Rounded-off pricing results in your prospects asking you to "sharpen your pencil." No one believes there has been any sophisticated rational behind rounded-off pricing. If you want your prospects to feel you?ve sharpened your pencil in your "package" always choose odd numbers, like $565 instead of $500.

Exposing three package levels in an e-mail blast, rather than preparing a custom solution to fit the advertiser?s objectives and budget, only results in advertisers gravitating towards the smallest package.

And in a mass blast like that, why would you pre-suppose certain budget levels? An advertiser with a budget of $2,000 a month, in this case, would have reverted to the $1,200 a month package, leaving $800 a month on the table.

But most importantly, email blasts like this make the classic mistake of not answering the questions advertisers are asking. These packages only revealed X number of spots and sponsor credits for X number of dollars.

Putting myself in the typical advertiser?s shoes, I would have been asking:

-- What?s in this for me?
-- How can this fit my objectives and budget?
-- Why target Hispanics?
-- What are the demographics and purchase patterns of the fans of this team?
-- Will I have an exclusive, or will my campaign be compromised by several competitors who buy the same package?
-- Why advertise in the games?
-- Does anyone follow the games on radio, or do they all go online or watch TV?
-- What successes have other businesses had reaching those Hispanic sports fans?

I could make the list of Frequently Asked Questions much longer, but you get the point. If you want to be successful selling radio you have to quit packaging inventory and start answering questions your prospects are asking.

Before you release any new packages, conduct a focus group of either your sales people who are on the streets every day or, better still, of some of your prospects, and uncover their FAQs. Presentations that answer those FAQs will get results.

Last but not least, don?t blast a menu of packages to unqualified e-mail lists.
Your prospects do not get excited about being presented the same cookie-cutter proposal you presented to their competitors yesterday.

Prepare a creative cover note that captures your prospect?s attention and opens the door for an appointment for you to make a custom proposal to achieve their marketing objectives. And don?t call a spot schedule a "marketing plan."

Wayne Ens is president of ENS Media Inc, www.wensmedia.com  producer of the SoundADvice radio e-marketing system and the Winning in the New Media Economy revenue development system. He can be reached at wayne@wensmedia.com

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Monday, June 24, 2013

Clear Channel Execs Pitch Advertisers In France

6-20-13

This week, during the Cannes Lions International Festival of Creativity in France, Clear Channel executives held a special VIP dinner with advertisers as the company continues to pitch advertisers on the unique capabilities of radio. Telling advertisers the story of radio has been a theme of Bob Pittman's ever since he became part of the company. The gathering in France was more than a party as the Clear Channel sales and marketing team held advertiser meetings throughout the week to continue to tell radio's story.

Clear Channel's Bob Pittman, John Hogan, and MediaLink CEO Michael Kassan hosted a party at the Hotel du Cap-Eden-Roc. fun. and Michael Bubl? ended the evening with a first-time collaboration performance of Elvis Presley's "Suspicious Minds." Clear Channel CEO Bob Pittman told USA Today, "It was a big, expensive event but it's worth the money. An affair like this allows Clear Channel employees to mingle with clients and potential clients, and gives them the ability to show off our capabilities to do good events."

Guests included Sean "Diddy" Combs; Nas; Ariana Huffington; Kim Armstrong; Desiree Gruber; Ira Barkoff, Sir Martin Sorrell, CEO of WPP; Michael Roth, CEO of IPG; and an array of other business leaders and advertising partners.

Pictured here are Peter Gray from Warner Bros Records; Tim Castelli, President of National Sales, Marketing and Partnerships, Clear Channel; John Hogan, CEO of Clear Channel; Tom Poleman, President of National Programming Platforms, Clear Channel; artist Michael Bubl?; Bob Pittman, CEO, Clear Channel; John Sykes, President of Entertainment Enterprises, Clear Channel.

(6/21/2013 11:31:25 AM)
Think big and act big and advertisers will look at you the same way. Radio is a big league player! Good for Clear Channel! The entire industry needs to follow this leadership example. It is long overdue.
(6/21/2013 11:31:02 AM)
Think big and act big and advertisers will look at you the same way. Radio is a big league player! Good for Clear Channel! The entire industry needs to follow this leadership example. It is long overdue.
(6/20/2013 9:56:00 AM)
While Clear Channel drowns in $20 Billion of debt, loses $200+ every fiscal quarter, chops employees commissions & salaries and layoffs great people, these Bozos insist on hob-nobbing on the French Riviera - sipping wine and eating cheese - on the company dime. What is wrong with this picture? It seems criminal to me! What a boondoggle: The rest of the company can't even order promotional items because of lack of budget and these guys are flying in Michael Buble to entertain themselves. What a bunch of bullsh#t!!

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Sunday, March 24, 2013

Ideas Sell. Advertisers Know That.

3-21-13

According to a new report by Borrell and Associates, advertisers are spending more money each year on promotions. That's good news for radio, an industry known for presenting great ideas to advertisers. The Borrell report says, "six years ago local businesses spent 10% more on advertising than they did on promotions. Last year, they spent 81% more on promotions. Even as local advertising bounces back at a rate of 8% this year, the $101 billion they?re likely to spend will still be 16 % less than what it was in in 2007. Meanwhile, local promotions is forecast to be 33% more than it was in 2007, reaching $176 billion this year.

And Borrell recommends something radio is very successful at executing. "One of the biggest opportunities might be helping local businesses develop and utilize customer loyalty programs. Promotions are designed to drive store traffic, but more importantly drive new customers into the store and cultivate them into higher-value loyal customers. Our research shows that local marketers are using promotions to develop larger and larger customer lists, but failing to do anything with those databases. Helping them develop an integrated promotions program, and following through with helping them manage their customer lists, would seem to be a very large opportunity indeed."

The Borrell report says, instead of carving it from traditional ad budgets, the money appears to be coming from things like slimmer profit margins (taken through steeper discounting), the salaries of former workers who used to handle marketing tasks, and from agency fees, printing budgets and postage.

You can read the Executive Summary of this new report HERE

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Friday, January 25, 2013

Top Advertisers For Week Of January 14

1-21-2013

Media Monitors reports that GEICO stayed on top of the radio advertising charts, airing over 54,800 spots for the week of January 14 to the 20. H&R Block moved from number three to number two with 40,902 spots aired. AutoZone jumped from nine to three, airing 29,388 commercials. Turbo Tax cracked the top five with nearly 27,000 spots and McDonalds held at number five with 26,000 spots.



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Wednesday, December 12, 2012

Why Radio Is Not Embraced By Advertisers

12-10-2012
by Eric Rhoads

For decades, the RAB and others have preached that selling is about being customer-centric. We've all heard it, we've all been trained to interview clients about their needs, and there is not one broadcaster on earth who does not know this to be true. So why is radio not getting its fair share of ad dollars nationwide? I've discovered what is probably the major reason.

A Dream Team
"What if," I thought, "I could put together a dream team of advertisers, and ask them why radio is not getting more ad dollars?" After all, we in radio think we have a strong story. We think we have decent relationships with listeners. We think we can move product. Unlike other legacy media, it appears radio has not lost its audience. I wondered what we could learn if we somehow got the most important advertisers in the world together in a room, just to talk about radio.

When I raised the idea, I was told, "It will never happen. Why would those people bother to take the time to help radio by answering our questions?"

"But what if I could pull it off?" I asked. "Everyone one in the industry would be there to listen. This could be the most powerful focus group in the history of radio. Every group head would be in the front row, not only to show their support, but to hear what these advertisers are saying."

I like a challenge, so I decided to do it.

A $100 Billion Panel
At Radio Ink's recent Forecast conference, this impossible task was accomplished ... almost. We managed to get five advertising greats in the room and on a panel to tell us exactly how radio can get on their radar. These men represented $100 billion in advertising and 75 percent of all advertising spending in America. They were:

Bill Koenigsberg, president/CEO and founder, Horizon Media
Tim Spengler, worldwide CEO, Magna Global
Doug Ray, president, Carat
Brian Terkelsen, CEO, Mediavest USA
David Verklin, marketing consultant (panel moderator)

Yes, we pulled it off. We got them there. It was historic. No one before has managed to get all five of these giants on a panel together. Each was willing to speak frankly about radio. As an opportunity, it may have been the most important hour in the history of radio. There was only one thing missing. The group heads in the front row.

Though there were several radio presidents and CEOs who stayed and listened, most of those representing radio's biggest companies were outside of the room. And they did not hear the most important advertiser focus group in the history of radio. Perhaps they had meetings or e-mails or pressing matters to attend to. Perhaps I didn't communicate the real power of this panel.

I'm not being critical of them. I'm sure some of these group heads and advertising executives already know and talk to each other. But if they had stayed in the room, and listened, it would have sent a powerful message.

Critical Feedback
Had the group heads been there, they would have heard that advertisers need to see metrics and measurement techniques that are focused on ROI. The panelists told us ratings are not the metrics they're looking for; they need proof of our ability to move product and engage customers. And they want the research to support it -- information they said no one in radio has provided. And they told us that other media are considerably more sophisticated about offering the proof of ROI agencies need. In other words, these agency heads were saying, "Show us the proof that will give us the confidence to invest."

Though they want radio to come with more ideas, they also said the discussion usually doesn't even get that far. Clients simply won't buy unless we first provide proof of radio's relevance and effectiveness.

These execs said radio is no longer on the radar of many advertisers -- it's not even part of the discussion. When radio does make the media plan, it gets little more than crumbs. Agencies find it hard to understand radio's value proposition, and they can't interest their clients in it, or their creative people. The panelists even said they don't feel they know how to get good radio creative.

Asked if they have radio departments, most said they have small "audio departments," but most of that attention is devoted to online audio.

Koenigsberg said, "The product benefit is just the cost of entry. The consumer wants value exchange. It used to be about reach, now it's about engagement. It used to be about frequency, now it's about relevance. It's no longer cost per point, it's cost per value point. Your story has to be reinvented. You have not figured out how to take the engagement factor and audience engagement and package your story."

Digging Deeper
After this eye-opening panel, I started exploring the problem further and found that what radio is missing is airtight econometric examples of performance or payback. Other mediums, including television and even print, are laser-focused on proving their ability to generate ROI. Radio is not. We've been on the sidelines too long.

When the Internet Advertising Bureau couldn't get advertisers to invest on the Internet, then-CEO Greg Stewart commissioned a cross-media optimization study with more a dozen advertisers, at a cost of millions.

Once the IAB proved to advertisers that the Internet could move product, they worked with the advertisers to identify the optimal spend -- which was more than before the studies. And Internet advertising began to explode.

I am not saying that these studies were the sole reason for Internet advertising's growth, but they played a large role. Stewart has since moved to the Mobile Marketing Association -- and again commissioned a study the power of the medium, which is opening doors that had been closed.

For radio to grow, we need to substantiate our claim that radio not only delivers a positive ROI, but delivers an ROI that is greater than other media options available to advertisers. We are not competing for ad dollars in a vacuum.

Earlier this year, when Facebook was under pressure to demonstrate its ability to generate ROI, the company attacked the issue head-on. According to a report in the Wall Street Journal, Facebook personnel were sent to work hand-in-hand with advertisers to figure out how they could deliver greater results. The reason advertisers are flocking to what we call the "shiny new toys" is not because they are new or shiny, but because they are accountable and measurable.

It's Selling 101: Speak the language of the person to whom you are selling. And as an industry, we are not doing that. It is incumbent upon all of us to not only bone up on the topics of econometric modeling, ROI, and payback, but to really focus on how we as an industry can enhance our performance in this arena.

Econometric studies cost a lot of money. But it's also generally true that if you pay a lot of money for insight, you will typically believe what it tells you and act upon it.

Where Is The Radio Econometrics Study?
There is no econometrics study for radio. Why not? We tell advertisers we haven't lost our audiences  -- and we haven't, according to Arbitron -- and that we remain strong. We talk about our ratings, but advertisers simply don't care. Pandora can not only give targeted data by neighborhood, it can tell you how many listeners clicked in response to an ad and how many of those went on to make a purchase. That is what advertisers are demanding.

And this is not only a national issue. A lot of business that is classified as "local" on your books is placed directly with your stations by national agencies.

Are We Living In The Past?
The bottom line is that radio's ratings, its audience strength, and its relationship with its listeners are of little value to advertisers unless we can prove it all translates to business. We're using 1970 sales techniques in 2013, and few are paying attention. Media alternatives that have studies to prove their effectiveness are blowing past radio.

We have to prove, via third-party studies, from firms respected by major ad agencies,  that radio can provide substantial payback for the investment.

This focus on ROI is being driven by technology, increased media alternatives, and "C suite" expectations. Chief media officers are under tremendous pressure to deliver results from their marketing ad spends. The average life expectancy for CMOs in a job is around 36 months. These are high-paying jobs, they want to keep them, and they realize they need to perform. So they choose their media partners the way we all choose stocks, investing where they'll get the best return.

It's Not About Ratings Anymore
Everything radio does needs to be about audience engagement and return on investment. Instead we're focusing on keeping our PPM numbers high by doing things that likely result in the opposite of consumer engagement. Do we really believe a spot buried in the middle of a commercial-laden stopset is going to drive business? Sure, it's good for PPM listening, but I suspect that if engagement were measured, it would show that is not the optimal environment for an ad.

Some might say Arbitron's study from last year confirmed that much of radio's audience is retained during an ad break, but I would argue that retention doesn't equate to engagement. After listening to Bill Koenigsberg, I suspect that he would agree.

There's a fine balance. We must be passionately driven to deliver results for clients. Ratings are not relevant to a client if you can't prove you'll accomplish their goals. We must start proving it. Saying it is so does not make it so.

Focus On Outcome
Advertisers care about consumers taking action. Radio must stop focusing on features, benefits, audience sizes, targeted audiences, and ratings. Those things only matter after we prove we can provide significant results. We must focus on outcomes. It's how all advertising is being evaluated today.
Clients only care about what you can do for them. Google Local and others are proving their value proposition and showing exact results. Your local focus needs to be about proof.

The old definition of insanity is to repeat the same behavior while expecting different results. And I believe that's where radio is today. Yes, we're seeing some digital innovation. All that helps, but nothing will bring change faster than a national radio study proving that radio moves the needle.

We all believe radio moves product. Now it's time for radio to step up to the plate and fund a study to prove it. The bottom line is that we need to have enough "science" to convince the CMOs that radio is the right place to spend their limited ad dollars. If we can show the cause and effect, radio's budget will never be cut. It's all about ROI.

(12/11/2012 7:16:45 AM)
Eric has always been a passionate believer in radio and radio C-level executives would be well advised to heed his advice and gather the facts to build a story advertisers will buy.
And that story is not just for the nationals.In a study we conducted of 540 local businesses in three different sized markets, 82% of advertisers said they advertise to "increase sales" yet less than 10% of the radio presentations we see address how their proposals will increase sales....an obvious disconnect.
The study Eric is proposing would fullfil many purposes, from not only proving radio can move product, but to helping broadcasters understand what kinds of programming and what types of advertising actually engages audiences and moves product....sadly, many radio people don't understand HOW to create formats, promotions or campaigns, that do produce results and can't think past old reach and frequency models.
Admittedly, ongoing credible studies of the nature Eric proposes are a very costly investment in our future and most of the high-dollar CEO's can't see a future (or even a job) beyond this quarter's share holder results.
Eric made a comparison the comparison that advertisers buy advertising like they buy stocks...they choose the ones with proven returns.
Maybe we should invest in radio the same way good financial advisors would advise us to invest in stocks....think beyond quarterly results and invest for the long term!
(12/10/2012 11:52:26 PM)
Although corroborating, quality evidence that demonstrate the value of radio would be terrific, Eric, it's not in the cards. Not in the foreseeable future.

In the short term and like - the longer term, as well, we are stuck with telling our "Story".

The only problem there is that our "story" is not a tale where all the good little girls and boys get their toys and live happily ever after. No. Our story is more of a night - not unlike the kind brought about by an underdone potato.

To put it more bluntly: For the last 20 years and more, we have been pulling the pins on our grenades and failing to through the pineapple. Indeed, for that amount of time we have been blowing ourselves up.

Our "story" - to be a truthful one - would have to include the decimation and suppression of the very people who are supposed to be supplying the "magic" that radio can innately deliver. We no longer have strong talent across the board on the air and we no longer have the talent to produce the commercial content that drives customers to our clients.

More than that and as Melissa's fine article alludes: we have yet to appreciate the neurology of the access of our own medium. Nor have we developed the programs that will take advantage of the communicative distinctions that already exist in other fields that wopuld also be a significant improvement in radio.

We are scarecrows tied to a stake of our own making - immobile, non-adaptive and incapable of development. The result: We aren't impressing or scaring anybody.

Radio's business today is about getting away with the least possible services at the greatest possible price - all for the benefit of senior management and shareholders.

Even as "local" is being trumpeted as the radio panacea, thoughtful management understands, if not explicitly, the intuitively that this is another empty sack of hopes.

Our only opportunity to improve our lot is to improve our services. There is also a chance that any data pulled from whatever source may not hold the glad tidings so many of claim for our medium

I not only challenge, I defy anyone to demonstrate otherwise. Harsh... I know. But, these are the times we are experiencing.


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Friday, November 30, 2012

The Disconnect Between Radio and Advertisers

11-29-2012

A consistent theme throughout the day from the advertising community at Forecast yesterday was that radio remains such a small player in their marketing plans because it lacks metrics and concrete evidence an advertiser is getting a return on its investment. For advertisers it's all about R.O.I. and radio has no way to prove it works. On the other hand, radio executives continue to say radio's 7% of the advertising pie it's not getting its message out. It's the same story many of them have been telling for well over a year. "If advertisers only knew our story." The question is, who's responsible for getting that message out and how much longer can the industry just keep saying, we need to get our message out.

Horizon Media CEO and Founder Bill Koenigsberg, who is a huge friend of radio, and spends a lot of money with radio, said real growth will come when we are able to prove our results. "Attribution is key. A major radio company, after we spent millions of dollars with them, wanted to do a presentation to the client after the campaign. There were no metrics and there was nothing about how the campaign helped the client's business." Koenigsberg said proving radio works is going to be the key. It was repeated by others in the advertising community, who admitted they love Television because it has sight, sound, motion, a sense of scale and metrics.

While radio industry executives have been consistent in saying how wonderful the radio story is, how nobody can do local better than radio and how much a companion radio is with a community, nobody has really taken the lead in coming up with an industry standard of metrics to prove radio works. The advertising CEO on our Forecast panel yesterday do not doubt radio's connection to the community. They still want proof an advertisers money is not being thrown away.

Brian Terkelsen is the CEO of MediaVest USA. He has a total advertising budget of $9.9 Billion. Radio gets only $100 million of that budget. "Is it ever going to be on the plan more? I'm not sure. What's the new about radio." Terkelsen said radio has to fail forward more. You hold in your power that connection point with consumers." Terkelsen said data and analytics are driving our business more and more. Content may not be king anymore.

Koenigsberg said radio needs to figure out how to have its prom. He used the example of the Television up-front season as an example of how that industry pushes its content out so everyone can see it. Radio doesn't have anything like that. "Radio needs to figure out how to have their prom and tell their story."



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Thursday, November 29, 2012

Advertisers Don't Know Who We Are

11-29-2012

During his keynote address yesterday at Forecast, Clear Channel CEO Bob Pittman said he's been making sales calls to major advertisers and the response he's getting from them is, "We never see anyone from radio." In other words, radio is getting such a small piece of the advertising pie because, as an industry, we're not making enough sales calls. "We're kidding ourselves if we think we're doing it," Pittman said. He also said radio isn't bringing enough fresh young talent into the business.

Pittman said when he goes on these sales calls he brings Clear Channel's creative people with him. "We ask them what ideas they need." He referred to it repeatedly as ideation. "We have to ask for an assignment, not a buy. We have to be willing to bring them fresh ideas." Pittman said advertisers use newspaper because it's a legacy industry. He called it a hangover. "We should be comparing radio to Television and newspaper, not to other radio stations." Pittman says radio should be a $35 billion industry, which is more than double what the industry brings in now. "We have to crush the myths about the perceptions of radio. We need to talk about how strong radio is."

Pittman said he was a Program Director in radio at age 20. "I don't see any 20 year old programmers any more in this business. We need to bring in fresh blood."

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