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Showing posts with label Example. Show all posts
Showing posts with label Example. Show all posts

Sunday, September 2, 2012

Another Example of Well Executed Ad-Insertion. But!

8-30-2012

Earlier this week we gave you an example of a station using ad-insertion that sounded very clean and was executed well (WPRO-FM). Today we'd like you to take a listen to WAPE-FM which is a Cox outlet in Jacksonville, FL. When you launch the player, it begins with short, local video ad before jumping right into the stream. It was smooth sailing when the stopsets started rolling. The transitions were smooth and the audio levels were sound. While the user experience were up to broadcast standards the station stream did highlight two issues radio is dealing with when it comes to streaming

The first issue is the length of our stopsets. One commercial load contained 8 units, most of them sounded like 60's. And if they sounded like 60's to us, they sound like 60;s to a fickle listener. There also seems to be a common belief out there that online listeners cannot tolerate this many interruptions, which is why Pandora is sticking to a small number of units every hour and iHeartRadio doesn't play any (on the curation side). When radio mimics its on-air signal in terms of interruptions, does the turn off the listener?

The second issue was the content of the stopset. It's become very clear when discussing streaming with PD's and GM's all over the country that selling online ads is not as easy as some would like to have you think. During one of the WAPE.com online breaks we heard an anti-depression ad, a commercial for Progressive, Val-Pak and a local retail ad. Those ads were followed by a student loan relief 800#, joint supplement 800#, inventor 800# and fixitfast.servicemagic.com, before seamlessly re-joining the music. Not a lot of local Jacksonville ads in the break.

What are you doing with your stream? Let us know. 

(8/31/2012 1:29:45 PM)
I'm not surprised at the solid stream from WAPE...Bill Hendrich is the market manager for Cox. He was one of the very first believers of maximizing radio's digital opportunity in 2000 and has continued to lead the way with new opportunities. As for local advertisers, I'll bet if you continue to listen, you'll hear plenty more. In response to Chuck: Listeners don't "want" the same promos and spots on the stream...in fact there's no way for them to know that they're different. It's just their favorite radio station.
(8/31/2012 12:55:50 PM)
What you folks continue to miss is that listeners want continuity... the same exact content including promos & commercial spots on both the streaming and terrestrial signals. One major issue with me is college football... stations sign deals with the college broadcast companies that prevent them from streaming the games. There is so much electrical interference in my home I cannot get AM or FM so I flip on WSB's streaming to listen to the Georgia game... sorry it's Clark Howard reruns because they can't stream the game
(8/31/2012 12:43:43 PM)
What you folks continue to miss is that listeners want continuity... the same exact content (including promos/commercial spots) on both the streaming and terrestrial signals. One major issue with me is college football... stations sign deals with the college broadcast companies that prevent them from streaming the games. There is so much electrical interference in my home I cannot get AM or FM so I flip on WSB's streaming to listen to the Georgia game... sorry it's Clark Howard reruns because they can't stream the game.

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Tuesday, June 14, 2011

Arctic Monkeys Top U.K. Charts; Example Has No. 1 Single

by Paul Sexton, London  |   June 13, 2011 7:06 EDT

Arctic Monkeys maintained their perfect record on the U.K. album chart yesterday (June 12) by scoring their fourth new entry at No. 1 from four releases, debuting at the top with "Suck It and See" (Domino). London rapper Example achieved his first No. 1 single entering at the summit with "Changed The Way You Kiss Me" (Ministry of Sound).

"Suck It and See" sold 82,000 copies last week according to the Official Chart Company, as Arctic Monkeys extended a sequence that started in 2006 with "Whatever People Say I Am, That's What I'm Not" and continued with 2007's "Favourite Worst Nightmare" and "Humbug" in 2009. "Suck It and See" achieved the feat despite the relatively modest performance of its first single "Don't Sit Down 'Cause I've Moved Your Chair," which peaked at No. 28 in April. It's only the second time in U.K. chart history that a band have arrived atop the album survey with four studio titles in succession, the first group to realize that feat being Keane, with a quartet of releases from 2004 to last year.

The Monkeys' debut ended Lady Gaga's rule with "Born This Way" (Interscope/Universal) after two weeks. It fell to No. 3 as Adele's "21" (XL Recordings) held firm at No. 2, and her previous set "19" fell 3-5. 11-year-old "America's Got Talent" runner-up Jackie Evancho debuted at No. 4 with "Dream With Me" (Syco Music/Sony Music Entertainment).

The "Glee" Cast's "Glee The Music Vol. 6" (Epic/Sony Music Entertainment) opened at No. 6 and Anglo-Irish girl group Wonderland's self-titled Mercury/Universal debut at No. 8. English acoustic/new wave singer-writer Frank Turner's fourth solo album "England Keep My Bones" (Xtra Mile) arrived at a career-best No. 12, Iron Maiden's new "From Fear To Eternity" best-of collection on EMI at No. 19 and American pop-punk band All Time Low's "Dirty Work" (Interscope/Universal) at No. 20.

For the ninth straight week, "Now That's What I Call Music! 78" (EMI Virgin/UMTV) leads the compilation chart.

Example's single sold 115,000 units to debut at No. 1. After reaching No. 19 with his debut hit "Watch The Sun Come Up" in 2009, he had top ten singles last year when "Won't Go Quietly" peaked at No. 6 and "Kickstarts" at No. 3. "Give Me Everything" (J/Sony Music Entertainment) by Pitbull featuring Nayer, Afrojack and Ne Yo fell to No. 2 after three weeks on top. Nicole Scherzinger's "Right There" (Interscope/Universal) leapt 14-3.

Coldplay's swiftly-released "Every Teardrop Is A Waterfall" single (Parlophone/EMI) started at No. 6 with 37,000 sales, as  "I'm Into You" (Def Jam/Universal) by Jennifer Lopez featuring Lil Wayne climbed again 10-9 and "Bass Down Low" by Dev featuring the Cataracs (Universal Island) 12-10.

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